Work > What Remains

Dearest
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
The Last Letter
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
We Won't See Each Other Again
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Tomorrow I Will Be Gone
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
My Heart Is No More
Collage, encaustic, graphite, ink on paper mounted on board
40" x 32"
2009
Perhaps No Longer Alive
Collage, encaustic, graphite, ink on paper mounted on board
40" x 32"
2009
Yes, It's Horrible
Collage, encaustic, graphite, ink on paper mounted on board
40" x 32"
2009
Our Destiny
Collage, encaustic, graphite, ink on paper mounted on board
40" x 32"
2009
Bear It
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Mercy
Collage, encaustic, graphite, ink on paper mounted on board
40" x 32"
2009
Can't Find the Words
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
We Will See Each Other in Heaven
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Better There
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Protect Us
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Are You Still Alive?
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Save Us
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
I Have to Quit Now
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Writing Is So Very Hard
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
I Don't Know Anymore
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Make Everything Alright
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009
Kiss Them For the Last Time
Collage, encaustic, graphite, ink on paper mounted on board
32" x 40"
2009

This body of work is entitled “What Remains”. I have continued the exploration of juxtapositions of disparate visual elements, but have added a new element, the last correspondence that my maternal grandfather sent to my grandmother before he was killed during WW II somewhere on the Russian front. I never met him, have limited knowledge of his life, but like an umbilical cord, these letters in a language that I do not speak are my sole connection to him. I have held on to these letters for many years, not knowing exactly why but with the knowledge in my gut that they were important. Through the ongoing development of my painting and imagery, I discovered a parallel between the graffiti I photographed in recent travels and these letters. By juxtaposing these final letters from the grandfather I never knew with these images of strange and unfamiliar walls, doors and alley ways, I explored the inexplicable connections and emotions one might experience with places seen only in passing and objects of sentimental value. Two very different types of documentation yet the parallel lies in the idea that both are the remnants of the presence of someone that is no longer there-the remains of the mark versus the ephemeral and transitory nature of the body. What also appears implicit to me in both the graffiti and letters is their connections with correspondence and communication and perhaps even a sense of loss and nostalgia.
A final visual element that I incorporated in this work was illustrations of bees. The bee iconography speaks to the idea of communication and the critical nature of this communication to the survival of the hive. Bees also connect the work to family, clan and history. For this reason, the bees are a poetic parallel between the letters and graffiti.